Thin Book

She Doesn’t Seem Autistic

How could other parents understand she can’t regulate, can’t dress, screams in wind? Their girls touch down, their modules steady, small footsteps breaking the…

A Double Act: the Selected Collaborative Poems

A DOUBLE ACT draws upon various intoxicating books—Airborne Dogs, Nutters Without Fetters, Poems of Relative Unlikelihood, and their verse novel The Ferrara Poems—later filmed—and…

Who Was

The fragrances of autobiography are suspicion and make-believe. Biography is death. Alex Quel

Empty Dresses

… Chevalier’s voice is also present in Darger, not only in the characteristic precision of her poetic images, but in the enjoyable fizziness of…

Moon Wrasse

2024 SHORTLIST – NSW PREMIER’S LITERARY AWARDS (POETRY) 2023 SHORTLIST – FIVE ISLANDS POETRY PRIZE FOR A FIRST BOOK OF POETRY Moon Wrasse is…

I Have Decided to Remain Vertical

Gayelene Carbis, in her second collection I Have Decided To Remain Vertical, pushes ideas and images beyond autobiography into that slightly surreal, sometimes whimsical, often heartbreaking territory of the poem that sings even as it laments, that can bring artfulness and authenticity into communion, and balances itself on a knife-edge of irony.

Swimmer in the Dust

For me, The Mirror Hurlers (P&W) was one of 2019’s best books of poetry. Ross Gillett’s latest book, Swimmer in the Dust, builds upon this rich legacy—displaying a mastery of tone and tonal drift, of nuance and ambiguity. His capacity to imbue the inanimate with life—and believably so—often astonishes. Gillett is a poet (should I say, a philosopher-poet?), possessed of a receptivity, an openness to difference; and the possessor of extraordinary emotional intelligence. Ross Gillett’s poetic vision continues to grow.

John A Scott

Journal of the First Step

These poems seek to evoke the often subtle yet ultimately profound shifts in awareness which occur when we calm somewhat our habitual anxieties
and cravings – with guidance in this case from the teachings of Gautama Buddha – and the mind’s observation is steadied. And they reflect on
both the personal and societal implications which attend such changes.

Increments of the Everyday

Rarely has the (covid normal) quotidian been so lovely – and so full of dread. Rarely has breath been so dangerous – or so treasured. Within the thoughtful cadences of Increments of The Everyday the world is going about its work – while a woman watches. Rose Lucas has achieved wonders.
Jennifer Compton

This is a collection of poems not afraid to be still. While acknowledging anxiety, isolation and grief, Lucas invites us to breathe in the goodness of relationships, gardens and art…. This is a poetics of openness that Lucas has made quite her own.
Phillip Hall

Increments of the Everyday is an extended meditation on grief and healing. After every loss, there is damage, adjustment, and slow forward movement:
‘attuned attenuated/I am learning to walk/in a way I have not walked before’.
Melinda Smith

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