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Wattison’s poems are always investigative, always humane. They are always willing to take risks. I know of no other Australian poet who writes quite like Meredith Wattison. She choreographs language in a way that is distinctive, deftly filtering moods and complex emotions through her uncanny vision as she aligns a deeply aesthetic mode of perception with the habitual and quotidian. Her language is sculptural and muscular, elegant and biting. Her music is both intense and playful, she can use the seductive registers of her voice to persuade and beguile, move and unsettle, but above all, her work is an enabling moral response to these complex times.
from the Foreword by Judith Beveridge
