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There is an amusing asperity. Guile. And, for all its judgements,
Metropole is rather forgiving. Irresistible, of course—and smart.
—Arlo Banens, The Tune
His work characterised by its ‘degree zero’ cool, Bolton would seem to have
taken his American influences and refined them through an apparatus built
of French cinema, nouveau roman, and contemporary art criticism: coolly
conversational—but flexibly elastic—this work can contain multitudes.
—Peter Goldsworthy, Australian Book Review
Excellent.
—Millie Dickins, Astrolabe