‘Raging Grace: Australian Writers Speak Out On Disability’ Reviewed by Erin Scudder | Sydney Review of Books
‘All of this work – the incisive, creative critiques of the medical model and its legacy, including but not limited to the forcing of…
She Doesn’t Seem Autistic (Esther Ottaway) & Sanctuaries (Diane Fahey) Reviewed by Jennifer Compton | Cordite
‘There is something about [She Doesn’t Seem Autistic]! It’s like nothing I have ever come across before.’ [on Sanctuaries] ‘a kind of austere accuracy,…
‘Raging Grace: Australian Writers Speak Out On Disability’ Reviewed by Fiona Murphy | The Saturday Paper
‘There is an exuberance to the works within Raging Grace, both in feeling and form. Words gush across the page – splitting apart, colliding…
Host City (David Owen Kelly), Only Sound Remains (Hossein Asgari), and The Director & The Daemon (Pitaya Chin) Featured in SMH/The Age’s ‘Best Books of 2024’!
Thrilled to see three Puncher & Wattmann books featured in The Sydney Morning Herald/The Age’s ‘The Year in Books: Writers Pick the Best Reads…
‘Object Permanence’ (Toby Fitch) and ‘The Inclination Compass’ (Gareth Sion Jenkins) Reviewed by Samuel J. Cox | Cordite
‘…in their desire to surmount the separation between visual and linguistic, the compartmentalisation of space and time enforced by our sequential written form, the…
Philip Salom’s ‘Hologrammatical’ Reviewed by Peter Kenneally | Sydney Morning Herald/The Age
‘Subterranean, crepuscular, and yet elegiac and soft.’ Read Peter Kenneally’s review of Philip Salom‘s poetry collection Hologrammatical in The Sydney Morning Herald/The Age:…
‘Raging Grace’ Reviewed by Anders Villani | Australian Book Review
‘More than coherent narrative, then, Raging Grace evokes disabled subjectivities with poetic concision, contradictoriness, and phrasing.’ Anders Villani’s insightful review of the groundbreaking…
Morgan Yasbincek’s ‘Coming to Nothing’ Reviewed by Claire Gaskin | Rochford Street Review
‘An opportunity to discover what ‘co-creations’ are possible between reader and writer… You won’t be the same after reading Coming to Nothing.‘ Read…
Nathan Shepherdson’s ‘Axolotl Waltz’ Reviewed by Heidi Maier | InReview
‘It’s a cracker – rich with precisely drawn visual images communicated via sparse, exacting prose that leaves an unquestionable imprint on the reader.’ …
Marcella Polain’s ‘the seven-eight count of unstoppable sadness’ Reviewed by Jackson | Westerly
‘Polain’s book is a masterclass in using linebreak and whitespace—and their absence—to create tension and unity and to show the reader where to rush…
