Puncher & Wattmann
Reviewers of P&W titles
Denys Trussell is a poet, biographer, musician and ecologist. His poetry, essays and criticism have since been published in New Zealand, Australia, Britain, France, and the US. He won the 1985 PEN Best First Book Award for non-fiction with Fairburn (1984), about the life of poet A.R.D. Fairburn. His poetry collection, Walking into the Millennium (1998) was shortlisted in the 1999 Montana New Zealand Book Awards. Two of his long poems have been choreographed and set to music.
Reviews and review excepts by Denys Trussel on this site
Dennis Haskell is a poet, editor, critic and academic. He has been an editor of the literary magazine Westerly since 1985, was for three years the poetry critic for the ABC'sBooks and Writing programme, and has published numerous collections of poetry. Haskell has been Professor of English and Chair of the Academic Board at the University of Western Australia. He was chair of the Australia Council's Literature Board from 2009 to 2011.
Reviews and review excepts by Dennis Haskell on this site
Geoff Page is an anthologist, critic and reviewer, and teacher of he English and History. He has published 29 collections of poetry, two novels and a musical biography.
Reviews and review excepts by Geoff Page on this site
- Cameron Lowe, ‘Circle Work’ in ABR
- Andy Kissane, ‘Radiance’ in The Australian Book Review
- Philip Salom’s ‘The Keeper of Fish’ in The Australian
- Toby Fitch, ‘Rawshock’ in The Australian
- Michael Sharkey, ‘Apollo in George Street: The Life of David McKee Wright’ in ABR
- Julie Chevalier, ‘Darger: His Girls’ in The Australian
- John Watson, ‘Occam’s Aftershave’ in the Australian
Graeme Miles has published two collections of poems: Recurrence (John Leonard Press, 2012) and Phosphorescence (Fremantle Press, 2006). After completing a PhD in classics at the University of Western Australia, he spent six months as an Asialink writer in residence at the University of Madras, then a year in Belgium as a postdoctoral research fellow at the University of Ghent. He has lived in Hobart since 2008 and teaches ancient Greek language and literature at the University of Tasmania.
Magdalena Ball is the author of the novels Black Cow and Sleep Before Evening, the poetry books Repulsion Thrust and Quark Soup, a nonfiction book The Art of Assessment, and, in collaboration with Carolyn Howard-Johnson, Sublime Planet, Deeper Into the Pond, Blooming Red, Cherished Pulse, She Wore Emerald Then, and Imagining the Future. She also runs a radio show, The Compulsive Reader Talks.
Born in the Transvaal, South Africa, Alison Croggon's family moved to England before settling in Australia, first in Ballarat then Melbourne. She has worked as a journalist for the Sydney Morning Herald. Her first volume of poetry, This is the Stone, won the Anne Elder Award and the Mary Gilmore Prize. Her novella Navigatio was recommended in the 1995 The Australian/Vogel Literary Award and all four novels of the fantasy genre series Pellinor have been published. She also edits the online writing magazine Masthead and writes theatre criticism.
Croggon has also written libretti for Michael Smetanin's operas Gauguin: A Synthetic Life and The Burrow, which premiered respectively at the 2000 Melbourne Festival and Perth Festival, produced by ChamberMade. In 2014, Iain Grandage's opera The Riders, to Croggon's libretto based on Tim Winton's novel The Riders, had its world premiere in Melbourne.
Other poems by her have been set to music by Smetanin, Christine McCombe, Margaret Legge-Wilkinson and Andrée Greenwell. Her plays have been produced by the Melbourne Festival, The Red Shed Company (Adelaide) and ABC Radio.
She currently lives in Melbourne, Australia with her husband and three children.
Reviews and review excepts by Alison Croggon on this site